Workshops can improve skills and increase knowledge, adding to our professionalism. They may be about art practices or the business of art.

A Presentation and Discussion with Margaret Danielak, Author, Art Rep and Lecturer

A Tour Facilitated by Cheryl Bookout, Visual Artist, Arts Activist, Curatorial Consultant and Executive Director of SCA Project Gallery

A Workshop with Richard Bruland, Visual Artist

A Digital Presentation and Discussion with Laura Hines-Jurgens, Visual Artist and Curator

A Behind-the-Scenes Talk with Founder, Josh Kaplan, and Consulting Gallery Director, Ashley McLean Emenegger

A Workshop with Ruth Ann Anderson, Artist, Educator and Author

A Workshop with Cynthia Friedlob, Visual Artist and Writer

A Workshop with Rob Sweedler, Co-owner of Roark Graphic Supplies

A Digital Lecture and Discussion with Nancy Macko, Visual Artist

An 'SCWCA Members Only' Guided Docent Tour of a Major Los Angeles Art Collection

An Interactive Dialogue Facilitated by Lucy Blake-Elahi

A Presentation by Suzanne Lacy

A Workshop with Ashley McLean Emenegger, Visual Artist, Gallery Director, Curator, Art Advisor

An ‘SCWCA Members Only’ Visit to a Key Think Tank with Contemporary Art in the Work Space

A Step-by-Step Tour with JIM RODGERS

A Slide Lecture and Discussion of Current Work with TAKAKO YAMAGUCHI, Visual Artist and JAN BAUM, Gallery Owner

Visual Presentation and Discussion with KAREN SCHIFMAN, Art Historian

Art and Feminism on Campus and in the World. The first in the "Conversations" Series.

‘SCWCA Members Only’ Visit to a Premier Contemporary Art Collection in Los Angeles

Margaret Lazzari has lots of practical tips for emerging artists about navigating the business side of your life.

A behind the scenes tour with Jan Baum to find out why and how she became an art dealer, her thoughts on running a commercial art gallery, her criteria for selecting artists, and the business aspects of her relationship with them.

In this provocative lecture, Eleanor Dickinson discussed with the group various problems of discrimination in the visual arts.

Deane Swick shared the amazing versatility and creative possibilities of acrylic paints and mediums in this workshop.

Joint program with Gallery 825/LA Art Association

A step-by-step class through the copy process. Standard practices were covered for ensuring quality slides of artwork, including selection of film and other materials, color balance, exposure, and the all-important lighting.

Although each artist's case may be different, general guidelines were covered about how to make sure the IRS doesn't classify you as a "hobbyist", especially if you don't show a profit. Keeping professional records, reasonable but appropriate deductions, dba's, and the like were addressed.