SOUTHERN CALIFORNIA WOMEN'S CAUCUS FOR ART
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Picture

August 2020

OPENING CONVERSATION 

​Thursday August 6, 2020 11 AM
Pulse of LA in the Time of Protest speaks to the experience of being a visual artist in Los Angeles. The artworks express both solidarity with recent BLM protests and continuity with long standing injustices. The myriad of forms, materials and ideas results in a compelling exhibition.
Carolyn Applegate
Pamela Benham
Anahid Boghosian
Mary Sherwood Brock
Vivian Wenhuey Chen
Alexandra Corwin
Debra Dobkin
Pam Douglas
Paula Dwyer
Marta Feinstein
Marla Fields
Dellis Frank
Dwora Fried
Shelley Heffler
Brenda Hurst
Ann Isolde
Yvonne Jongeling
Beanie Kaman 

Susan Karhroody
​Alexis Krasilovsky
J. J. L'Heureux
Nancy Goodman Lawrence
Sinan Leong Revell
Lynn Letterman
Karena Massengill
Mahtab Mohammadi
Beverly Morrison
Sandra Mueller​
Barbara Nathanson
Stacey Rasfeld
Karen Schifman 
Kerrie Smith
Bonnie J. Smith
Ann Storc
Holly Stuczynski
Kathleen Thoma
​Darlyn Susan Yee

Picture

Carolyn Applegate

iIncubation
2020
 Irredescent fabric, mount of two panels, polyfil and wire
 72in x 48in x 24in
Our society today.
Picture

Anahid Boghosian

Quiet Strength
 2019
 mixed media
29in x 21in
There is something to be said for those of us who have been sitting and waiting for humanity to catch up. Unfortunately it takes a great deal of inner quiet strength to endure the injustices of discrimination and inequality. You may end up a little weathered and broken, yet still standing with grace. 
Picture

Vivian Wenhuey Chen

Nothing Is Straight, Everything Is Fake
2020
Shredded fabric for quipu and everything fake that I can find
60in x 36in x 24in
I used quipu twisted and everything fake that I can find to symbolize this administration
Picture

Paula Dwyer

Wonder Women... (Open your Heart)
2020
Mixed media assemblage with upcycled mannequin parts, tiles, clothing, wire, beads
31in x 23in x 14in
This piece is a call to all women to come together creatively, to celebrate the uniqueness of our differences, and to inspire others to open their hearts towards change. Coming from the perspective of a woman's innate ability to nurture, spread compassion, inspire and protect, this lifeblood of purpose runs through us and, in turn, connects and empowers us all.
Picture

Marla Fields

Fan Dance
2019
acrylic on Panel, Mixed Media
19in x 19in
My piece is called "Fan Dance."  In a time of great unrest my work reflects the conflict of two interacting forces as in life: Sharp and definite vs free flowing and moving. I try to convey this sentiment via color and contrast
Picture

Dwora Fried

Enzo e Nio
2020
Mixed Media Assemblage with photography, plastic,
metal and wire.
18in x 9in x 2in
This assemblage is based on an old photograph of a graffiti taken in Venice, Italy, printed on a window decal.
The girl is wearing a mask and holding a gun. The wire wraps around the plastic box and an arrow  street sign.
Picture

Brenda Hurst

A Mind is a Terrible Thing to Waste
2020
Photograph
5in x 14in
In Altadena, California, during the week of March 16th, 2020, an old UNCF ad was revealed after a windstorm tore off many layers of other billboards pasted on top of it. It looked like it had been through so much, ragged & torn, but somehow it was still able to deliver that important message. “A Mind is a Terrible Thing to Waste” Founded in 1944, with this principle remaining at its heart, the UNCF (United Negro College Fund) has raised more than $5 billion and helped more than 500,000 students attend college and more.
Picture

Yvonne Jongeling

Transformation
2020
Archival digital print of a doily, CT Scan and digital text.
12in x 12in
The most significant moment in social change in the past 50 years has been witnessed by our nation. Take this moment to reflect about who you are. Now is the time for transformation.

Picture

Susan Karhroody​

Upward 
2020
Mixed media 
8in x 10in
My new series Outward is the idea of breaking the silence, unpacking self and moving outward. believe art is able to influence the way we think and act as individuals. Art can convey the idea of equality, freedom and recognition. Art is a voice and a healer.
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J. J. L'Heureux

Canal Fence
24inh x 30inw
 Photograph
2019
Venice Beach is a neighborhood in West Los Angeles. Despite my daily preoccupations, worries and fears there is always a sight that makes me forget everything and smile, Venice Beach is my daily changing treasure chest. 

Picture

Nancy Goodman LawrencE

Watchful #5
cut, layered and hinged paper adorned with cut and
​hole-punched circles
2020
15in x 19in
I have been using my art-making time to experiment with new materials, which include cut and layered paper pieces. This piece, "Watchful #5"; is part of a series that reflects our times.  Watchful can mean watching out for your physical safety; watching those who manipulate voting rights; watching that you make your voice heard without being arrested; watching for the next move our administration might make. Watching, for me, is listening carefully before deciding on an appropriate action
Picture

Lynn Letterman​

Please Say No To Hate
2020
printed artwork
30in x 22in
"We're often told that art can't really change anything. But I think it can. It shapes our ethical landscapes: it opens us to the interior lives of others. It is a training ground for possibility. It makes plain inequalities, and it offers other ways of living."
​A quote from Olivia Laing 
 
Art is my vehicle to express my outrage against racism, social injustice and sexism.
Will it make a difference ? I don't know, but it makes a difference for me. 
Picture

Mahtab Mohammadi

Dreaming of Persian Garden
2020
oil on canvas
36in X 48in
This new series is dedicated to Persian Gardens. Persian Gardens have a long, old story in Iran. There are different types of Gardens that can be found in Persian paintings, ceramics, architectures, and many old and traditional arts. In ancient Persia, people used to have party in gardens with dancing, singing songs, composing music, reading poetry,…… and painters would document those happy moments. Later, those scenes became symbols of happiness and bird symbol of love and femininity.
Picture

Sandra Mueller

VPM — Voting By Mail 
2020
Postage Stamps and Crane Postcard
4in  x 6in
Voting is an individual and collective action and necessary tool for making change endure over time. My 'Vote By Mail” quilt features Sarah Vaughn stamps (designed by Ethel Kessler with art by Bard Forbes),  Birds in Winter  stamps (designed by Antonio Alcala with art by Nadia Taylor) and generic Forever Flag stamps,  all copyright USPS.
Picture

Stacey Rasfeld

Translation Transition
2020
mixed media and acrylic on watercolor paper
11.5in  x 10in 
Picture

kerrie smith

Equipoise 11
2020
Acrylic/Wood Panel
20in x 20in x 1.5in
Equipoise. In these paintings, I make reference to a world that is constantly changing via incredible leaps of technology and unbelievable strains upon the environment. This has caused me to ask, “How we can arrive at a place where balance has been found between technology and nature?“. At what point do we begin to realize that we are not moving through a passive landscape? In this series, I imagine portraits of organisms capable of lasting thousand of years, shining a light on our planet’s resilience in the face of human
Picture

Ann Storc

There but For Fortune: The Great Divide
2020
Collage and Drawing
8.5in X 11in
As I reflected on the brutal death the George Floyd, I thought about the division between privileged women as represented by the 'stuff' and the sad reality of women in need. 

Picture

Darlyn Susan Yee

Because We Can Does It Mean That We Should?
2019
Crocheted acrylic on recycled acrylic, polyester and nylon
72in x 57in (circumference)
Large site-specific text based piece created for Technology and Ethics, an outdoor installation in artistic response to the CSJ Center for Reconciliation and Justice 2020 Symposium "21st  Century Technology: Creative Possibilities and Ethical Conundrums" at Loyola Marymount University. 
Picture

PAMELA BENHAM

Untitled SBE 29
      2020
      acrylic on canvas
      48in x 36in
This piece speaks of struggle, of chaos and holds the hope of resolution.
Picture

Mary Sherwood Brock

'We the People'
2020
Lithograph with suminigashi marbling
8in x 8in
​Voting is the best way we have to ensure our rights in the Constitution, yet voting rights have been denied to many over the years and it continues to be a struggle across the US.
Picture

Alexandra Corwin

You Can Not Fool Mother Nature
19inx19in
 Paper Mache ,Toilet paper tubes,Shredded paper, acrylic paint
2020
As a 72 year old white woman I am quarantined in my home, watching the world fall apart. I support the protests from my studio and hope that I will live through this time to see profound changes in the social fabric of our country and our city.

Picture

Debra Dobkin

Portland
2020
Acrylic over monoprint on paper
 8in x  10in
​This is a painting to honor the brave women and men in Portland. Protesters have come out in force in US cities and the world to give voice to the senseless killings of Black people & injustice. In mid July, our government dispatched unidentifiable agents to Portland in a desperate attempt to create confrontation & chaos to help Trump's re-election campaign. People from all walks of life showed up to peacefully protest and were gassed & injured. We are now in uncharted authoritarian territory. We must make our voices heard.
Picture

Pam Douglas
​

Save Me
2019
charcoal, twine on raw linen & coffee bean bag
36inx 50in
​In "Save Me" a caged child dares us to respond. The charcoal drawing mounted on a coffee bean bag stamped "Mexico" reflects the events that propel our protest. The child's fingers grip twine that is cut into canvas; he's not giving up and neither can we. This is a panel from Part One of my multi-year SANCTUARY installation in support of refugees.
Picture

Marta feinstein

Envision
2020
Digital Art
12.5in x 12.5in
​This is a metaphor for envisioning hope and seeing change during uncertain times and personal challenges.
Picture

Dellis Frank

Tears of Black Folk
2020
Mixed media: fiber, cloth papier machet, wire, acrylic, cardboard, dryer lint
58in x 23in x 13in
The tears of Black folk is not one of beauty, calm, or joy. The tears of Black folk is devastating, traumatic, ugly, hard and continuous for over 400 years. The tears are larger than life, intricate and complicated. As different as we all are we are all still one and what hurts one hurts us all or at least it should. Do you see the tears of Black folk as your tears too?
Picture

shelley Heffler

I Can't Breathe
2020
Vinyl
48in x 96in
“I can’t breathe” is renamed to “I will not be suppressed”. Reacting to the police violence against black men and especially the shocking video of George Floyd killed by the police, led me to create this flag. The words ‘I can’t breathe” are broken and obscured from view. It is an analogy to the physical acts of police violence and the words George Floyd spoke. His words were disregarded and ignored, which led to his death. The colors of red, black and green are symbolic for the world-wide liberation of Black people and an emblem of Black pride. In support of my fellow Americans, I stand beside them to never be suppressed again. ​
Picture

Ann Isolde

The Greenhouse Effect
2009
Acrylic and silver leaf enamel on canvas board
11in  x 14in 
I'll never forget the famous "blue marble" photo taken during the Apollo 17 trip to the moon. That changed how I view our planet. It looked so beautiful and alive. Now mother earth is  protesting our  addiction to fossil fuels polluting our air and water. We talk of "Climate Justice" as we struggle to maintain a balance so all species can survive. And related "Black Lives Matter" protests are demanding an end to systemic racism, gender inequity and economic injustice. So we have work to do.
Picture

Beanie Kaman

Wave Hello Stop
2020
paper, colored pencil on card stock
4in x 6in
"Wave Hello Stop" is the dichotomy that we are experiencing.  Protests are a bit of both; saying hello to notice what is going on, saying stop to the prejudices within society.
Picture

Alexis Krasilovsky

Homage to the Nameless Ones Who Have Fallen
2020
Photo collage
2048in x 204in
What’s behind our masks?
The paranoia of a princess at a masked ball,
coughing feverishly in a dance of death,
locked inside her castle without voting?
How many of the homeless will swim the moats?
Crocodiles or coronavirus?
When they bite off our masks
please lipread:
We are only asking for survival.
When ventilators are inserted down our throats,
will the prince cut his way through the brambles
to awaken us?
(from the poem, "Covid to Ovid," by Alexis Krasilovsky)
Picture

Sinan Leong RevelL

Collage- Basquiat BLM 
2020
Colllage on paper
18in x 12in
"Black Lives Matter" has galvanized people across the globe, not just the USA. After decades of racially profiled public killings, lynchings and shootings -the people have had enough. Combined with the pent up feelings of COVID lockdown, the live on air video of George Floyd's death was the catalyst for pent up anger and centuries of repression from people of color the world over. I have chosen to create a collage inspired by Basquiat-iconoclaston so many levels. 
Picture

Karena MassengilL

"Shattered Lives"
2020
Fabricated stainless steel, found objects, and oils
23.5in  x 12in  x 2in 
“Shattered Lives” is an expression of the realization of the inequities that people of color live every day! It is particularly focused on the protests after George Floyd’s murder. The spontaneous demonstrations all over the world fed the flames for this creation. Even though I am white, I felt the need to express my anger and solidarity, as marching in the protests was not enough.
Picture

Beverly Morrison

Moon
2018
Clay
21.5in x  29in x  7in
“Moon” is about the interconnection of harmony and discord. The sculpture was created with two distinct clay bodies that have differing shrinkage rates. During the firing process they meld together, yet pull apart at the same time creating cracks and imperfections in a harmonic way.

Picture

Barbara Nathanson

Shock Waves
2020
Acrylic and Mixed Media
24in X 24in
My painting, "Shock Waves" is about the public revulsion and reaction to the police killing of George Floyd. 
Picture

karen schifman

Uncomfortable
2020
Altered tin; mixed-media
3.5in x 4 .75in
Responding to the protests was quite uncomfortable for me as it brought up a lot of questions and feelings.  It certainly merited many discussions which were long overdue, hence the older women in a setting that alludes to the fact that these dealing with these issues is long overdue. The dandelion placed over the "preamble" is symbolic. Since ancient times it has been a plant associated with the sun and blindness-it was believed to heal eye diseases. The dandelion is a "hermaphrodite" plant and symbolizes fertility, self-generation, abundance and foresight. Its flower is the emblem of the expanding world. The fragility of the flower  also alludes to delicateness of the subject of racism.
Picture

Bonnie J. Smith

Still Hope
2020
kona cottons, linen, cotton & polyester threads, polyester batting
40in x 30in
With the topsy turvy world we live in right we always have hope.
Picture

Holly Stuczynski

 Wishing to Feel Free
mixed medium:cooking spices, various dissected flowers on board watercolor
2020
Society insists on constricted dreams and opportunities while coveting external beauty. Aging is the struggle of a woman: to be heard, to be seen! I was thinking about woman’s suffrage: political voice, basic human rights, our personal choice for our body given testimony, and career identification that is a constant constraint. Always seeing connection in woman and nature, I am investigating the flower: its colorfulness, sensuality, freshness and considering the tenderness with one must care. 

Picture

Kathleen Thoma

Stop Hurting Us
2020
collagraph monotype
15in x 11in
My collagraph print shows the frustrations of previous years of trying to penetrate a wall of white blindness to the abuse, injustice and murder of black bodies. I show the repetition of words because it has to be repeated until the message is learned and change happens. I use the variations of red, black, yellow to symbolize the blood that has been shed, the infection of racism, and black of suffering people. I use the suggestion of bars in a jail where the injustice with lawless police officers.
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  • home
  • About
    • ABOUT US
    • Women's caucus for art
    • Join or renew
    • CONTACT
  • Members
  • PROGRAMS
    • call for art
    • scwca scholarships
    • ongoing programs
    • EXHIBITIONS >
      • 2024 >
        • A Women's Voice
        • the 6000 circle project
      • 2023 >
        • Beloved Planet
        • A Keen Eye - the artist's perspective
        • Ancestral connections
        • SEEING RED 2/3-2/28/23
      • 2022 >
        • Joyful 12/15/22-1/15/23
        • What's Next!
        • Land Art Project 2022
        • I Do Believe
      • 2021 >
        • Endings & Beginnings
        • Stories of the Land
        • A Lovely Day
        • Land Art Project
        • International Women's Day: Think Globally
      • 2020 >
        • 10 x 10
        • SHE VOTES
        • COMMON GROUND
        • Pulse of LA IN THE TIME OF PROTEST
        • Pulse of LA in the Time of Quarantine
      • ARCHIVE >
        • 2007-2019
  • PUBLICATIONS
    • SCWCA Newsletter
    • You Tube
    • Book & Catalogs